… My first camera was a Brownie 127, given to me by my grandfather for Christmas. I loved absolutely everything about it: the feel; the smell; the way it clunked as the white plastic button was pressed; even the white plastic button itself. I had no idea that the tiny little lens was made from acrylic plastic until I read it online. Apparently they left much to be desired but helped to keep the costs down. Even the number of the shots taken showed through the sweetest little red window at the back.
… It was not until I started to earn quite good money I bought two Pentax ME Super film backs and a selection of lenses so that I could easily experiment with colour at the same time as black and white.
Colour photographs are a regular part of our news experience now but that wasn’t always the case. Today newspaper sponsored our first event at Alexandra Palace. Although they pioneered computer photosetting and full-colour offset printing in 1986, linotype and letterpress were still the industry standard printing process for daily newspapers. The use of colour photographs lagged behind the technology that could have printed them, not just because of the cost of changing the machinery but also because colour was still seen as more of a marketing and public relations tool rather than for documentary or historical record.
… I organised classic motor events which fitted in a leisure category, it was only on very rare occasions that I sent a black and white photograph to attract publicity. Black and white was more appropriate for ‘art’ and ‘news’. Fortuitously, by 1988 high street photographic processing companies had invested in colour machines. Monochromatic printing either had to be done by hand or was expensive to outsource to specialists. To keep my own black and white photography going, with hardly any time to go into the darkroom, I used Ilford’s XP1 and then XP2 film that could be processed using the C-41 colour process and machinery. I then kept the negatives safe for printing when I had time, many years later as it turned out.
Turning the camera onto spectators can be rewarding. My subjects' wives or girlfriends immediately understood why I thought this would make an amusing shot
Fire buckets that hung from the barn all my life - throughout every moment of my childhood and adolescence. Redundant, having rotted away long before I was born this picture speaks a thousand words to me.
The redundant Tunnel cement works in Pitstone, Bedfordshire is beautiful in my eyes. (Demolished in the 1990s)
Anti-Conservative propoganda poster prior to the General Election which saw Tony Blair re-elected for his second term as Prime Minister.
The pods not yet connected, the giant ferris wheel is almost fully erect, the pounding is heard across the Thames at my viewpoint at Saint Margaret's Church on Parliament Square, next to the Houses of Parliament.
A photographic documentary of posture in an industry that suffers from such work-related injuries.